{"id":4823,"date":"2022-09-20T09:49:01","date_gmt":"2022-09-20T09:49:01","guid":{"rendered":"https:\/\/skcns.org\/izlozba-slika-i-crteza-dejane-nesovic-word-up-u-skcns-fabrici-2\/"},"modified":"2022-09-20T09:49:01","modified_gmt":"2022-09-20T09:49:01","slug":"izlozba-slika-i-crteza-dejane-nesovic-word-up-u-skcns-fabrici-2","status":"publish","type":"post","link":"https:\/\/skcns.org\/sr_cyr\/izlozba-slika-i-crteza-dejane-nesovic-word-up-u-skcns-fabrici-2\/","title":{"rendered":"Izlo\u017eba slika i crte\u017ea Dejane Ne\u0161ovi\u0107 \\&#8221;Word up\\&#8221; u SKCNS Fabrici"},"content":{"rendered":"<figure class=\"\\\"wp-block-image\" size-large\\\"><img src=\"\\\"http:><\/figure>\n\n\n\n<p>Izlo\u017eba slika i crte\u017ea Dejane Ne\u0161ovi\u0107 \u201cWord up\u201d bi\u0107e otvorena 19. septembra u 19 \u010dasova u SKCNS Fabrici. Postavka \u0107e mo\u0107i da se pogleda do \u010detvrtka 29. septembra, svakog radnog dana, od 9 do 19 \u010dasova i na dan zatvaranja do 15 \u010dasova.\u00a0 <\/p>\n\n\n\n<p>Dejana Ne\u0161ovi\u0107 diplomirala je na Akademiji Umetnosti u Novom Sadu, na odseku slikarstvo, a od 2001. godine je \u010dlanica Saveza udru\u017eenja likovnih umetnika Vojvodine. Osnovala je Udru\u017eenje gra\u0111ana \u201eStudio Mano\u201c, koje radi u sklopu edukativnog programa za decu \u201eDeca i muzej\u201c, u &nbsp;MSUV u Novom Sadu od 2008. godine. Aktivno izla\u017ee od 1997. godine u zemlji i inostranstvu (Austrija, Nema\u010dka, Italija, Slovenija&#8230;.). U Muzeju savremene umetnosti Vojvodine u Novom Sadu izlagala je samostalno 2011. godine.&nbsp;<\/p>\n\n\n\n<p>O izlo\u017ebi: U svom stvarala\u010dkom opusu Dejana Ne\u0161ovi\u0107 se bavi likovno-istra\u017eiva\u010dkim radom. Poseban akcenat stavlja na sam proces i uz niz intervencija i eksperimenata pronalazi re\u0161enja koja joj omogu\u0107avaju da \u0161to vernije prika\u017ee svoju realnost. Njena realnost je ritmi\u010dna, slojevita, multiplicirana. Svesnost i uklju\u010denost u globalne, savremene, dru\u0161tvene prilike ona prikazuje kroz izbalansiranost i kompromis izme\u0111u anga\u017eovanog i estetskog. Ovi aspekti ne idu jedan nau\u0161trb drugog, ve\u0107 pro\u017eimaju\u0107i se nagla\u0161avaju originalnost izraza. Kod nekih radova uo\u010davamo jasnu poruku a kod nekih je ona skrivenija. Savremena kultura sa novim mogu\u0107nostima, sredstvima, tehnikama, \u0161tampa i internet importovani su u rad i poja\u010davaju kompletan vizuelni do\u017eivljaj. <\/p>\n\n\n\n<figure class=\"\\\"wp-block-image\" size-large\\\"><img src=\"\\\"http:><\/figure>\n\n\n\n<p>Na slikama, \u010dovek je uvek prisutan. Figura je svedena na simboli\u010dan prikaz ili je njegovo prisustvo predstavljeno kroz ispisane poruke. Prisustvo \u010doveka ose\u0107a se i kroz neminovnu opsednutost i suo\u010davanje sa neprestanim impulsima savremene epohe, svakodnevice, medija, pop kulture, digitalnog i analognog sveta. Ose\u0107a se uloga i anga\u017eman svakog pojedinca pa i samog umetnika u neprekidnom pulsiranju modernog tkiva dana\u0161njice. Karakteristi\u010dne koloristi\u010dke i monohromatske partije presecaju pisana slova, printovi, cepani delovi, fragmenti odre\u0111enih re\u010di ili poruke u celini. Ispod ve\u0107ine pocepanih partija pojavljuju se druga\u010diji slojevi najavljuju\u0107i nove nizove poruka i tako vizuelnim jezikom stvaraju izvesne kola\u017ee. Raznorodne tehni\u010dke i vizuelne kombinacije ne naru\u0161avaju celinu, ve\u0107 naprotiv, kao rezultat daju stabilne i upe\u010datljive kompozicije. One su nastale kao proizvod njenog bogatog stvarala\u010dkog iskustva i zrelog do\u017eivljaja stvarnosti.<br><\/p>\n\n\n\n<p>Nikolina \u0160\u0107eki\u0107 Karabasil, istori\u010darka umetnosti<\/p>","protected":false},"excerpt":{"rendered":"<p>Izlo\u017eba slika i crte\u017ea Dejane Ne\u0161ovi\u0107 \u201cWord up\u201d bi\u0107e otvorena 19. septembra u 19 \u010dasova u SKCNS Fabrici. Postavka \u0107e mo\u0107i da se pogleda do \u010detvrtka 29. septembra, svakog radnog [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[],"class_list":["post-4823","post","type-post","status-publish","format-standard","hentry","category-vesti"],"_links":{"self":[{"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/posts\/4823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/comments?post=4823"}],"version-history":[{"count":0,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/posts\/4823\/revisions"}],"wp:attachment":[{"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/media?parent=4823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/categories?post=4823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/tags?post=4823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}