{"id":4882,"date":"2023-04-28T14:24:08","date_gmt":"2023-04-28T14:24:08","guid":{"rendered":"https:\/\/skcns.org\/izlozba-fotografija-zorana-trbovica-drugi-ritam-u-skcns-fabrici\/"},"modified":"2023-06-21T10:29:36","modified_gmt":"2023-06-21T10:29:36","slug":"izlozba-fotografija-zorana-trbovica-drugi-ritam-u-skcns-fabrici","status":"publish","type":"post","link":"https:\/\/skcns.org\/sr_cyr\/izlozba-fotografija-zorana-trbovica-drugi-ritam-u-skcns-fabrici\/","title":{"rendered":"Izlo\u017eba fotografija Zorana Trbovi\u0107a \u201cDrugi ritam\u201d u SKCNS Fabrici"},"content":{"rendered":"<figure class=\"wp-block-image size-large \\&quot;wp-block-image\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/skcns.org\/wp-content\/uploads\/2023\/04\/Vizual-izlozba-fotografija-1-1024x576.jpg\" alt=\"Izlo\u017eba Zorana Trbovi\u0107a\" class=\"wp-image-4718\" srcset=\"https:\/\/skcns.org\/wp-content\/uploads\/2023\/04\/Vizual-izlozba-fotografija-1-1024x576.jpg 1024w, https:\/\/skcns.org\/wp-content\/uploads\/2023\/04\/Vizual-izlozba-fotografija-1-600x338.jpg 600w, https:\/\/skcns.org\/wp-content\/uploads\/2023\/04\/Vizual-izlozba-fotografija-1-768x432.jpg 768w, https:\/\/skcns.org\/wp-content\/uploads\/2023\/04\/Vizual-izlozba-fotografija-1-18x10.jpg 18w, https:\/\/skcns.org\/wp-content\/uploads\/2023\/04\/Vizual-izlozba-fotografija-1.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">izlozba fotografija Zorana Trbovi\u0107a<\/figcaption><\/figure>\n\n\n\n<p>Izlo\u017eba fotografija Zorana Trbovi\u0107a \u201cDrugi ritam\u201d bi\u0107e otvorena u \u010detvrtak 4. maja u 19 \u010dasova u SKCNS Fabrici. Ulaz za posetioce je besplatan, a postavka \u0107e mo\u0107i da se pogleda do 12. maja, svakog radnog dana od 10 do 19 \u010dasova. Izlo\u017eba je organizovana u sklopu manifestacije Ritam Evrope! kojom SKC Novi Sad obele\u017eava 9. maj &#8211; Dan pobede nad fa\u0161izmom i Dan Evrope.<\/p>\n\n\n\n<p>O izlo\u017ebi:<\/p>\n\n\n\n<p>Sredinom sedamdesetih godina dvadesetog veka, kada rok muzika u Jugoslaviji vi\u0161e nije bila samo zabava dokone omladine, nego je odjednom postala posao, i to unosan posao, pojavila se potreba za novim zanimanjima koja su u nazivima imala prefiks rok: tako su nastale prve generacije rok novinara, rok fotografa, rok dizajnera, rok organizatora. Zoran Trbovi\u0107 (Beograd, 1956) bio je jedan od tih ljudi koji su u roku prona\u0161li put do sopstvenog umetni\u010dkog izraza. Pre Zorana, rokere su fotografisali oni koji su pre podne fotografisali tramvaje ili politi\u010dare, a uve\u010de mo\u017eda svra\u0107ali na koncerte, a mo\u017eda i zaboravljali da svrate. Sa Zoranom je sve selo na svoje mesto. Ne grade\u0107i mitove, ali ni ne ru\u0161e\u0107i ih, on je od junaka svojih fotografija tra\u017eio i dobijao samo najbolje, da bi onda to prosle\u0111ivao uvek gladnim \u010ditaocima najva\u017enijih jugoslovenskih \u0161tampanih medija. Retrospektiva njegovih fotografija u SKCNS Fabrici prilika je da se jo\u0161 jednom podsetimo najva\u017enijih momenata jedne velike i va\u017ene karijere, koja je dala vizuelni identitet jednoj velikoj i va\u017enoj sceni, u vremenima bez muzi\u010dkih spotova i sa ograni\u010denim mogu\u0107nostima televizije.<\/p>\n\n\n\n<p>Du\u0161an Vesi\u0107, rok novinar<\/p>\n\n\n\n<p>O autoru:<\/p>\n\n\n\n<p>Zoran Trbovi\u0107 ro\u0111en je 12. jula 1956. u Beogradu, gde 1975. zavr\u0161ava Devetu gimnaziju i upisuje Pravni fakultet na kom se zadr\u017eava dve godine. Fotografijom po\u010dinje da se bavi za vreme studija, kao fotoreporter, zbog \u010dega studije zapostavlja. Od 1977. do 1991. radi kao fotoreporter i rok fotograf u dnevnim novinama \u201cPolitika\u201d. Fotografisao je najzna\u010dajnije rok grupe i peva\u010de, pisce, glumce, umetnike, politi\u010dare. Najzna\u010dajnije fotografije nastale su u periodu od 1980. do 1990, i danas one predstavljaju dragocenu kulturnu ba\u0161tinu nekada\u0161nje Jugoslavije i njene javne scene.<\/p>\n\n\n\n<p>Osim u \u201cPolitici\u201d, njegove fotografije objavljivane su u svim zna\u010dajnim jugoslovenskim \u010dasopisima i novinama, me\u0111u kojima su \u201cRock 82\u201d, \u201cPop Rock\u201d, \u201cIlustrovana politika\u201d, \u201c\u0106ao\u201d i \u201cStart\u201d, ali i u knjigama: \u201cJugoslovenska rok enciklopedija\u201d, \u201cBolja pro\u0161lost\u201d Pere Lukovi\u0107a, \u201c\u0160ta bi dao da si na mom mjestu 1. i 2.\u201d Du\u0161ana Vesi\u0107a, itd.<\/p>\n\n\n\n<p>Autor je fotografija za naslovne strane i omote preko 30 vinila, audio kaseta i CD-ova poznatih izvo\u0111a\u010da me\u0111u kojima su Bajaga, \u0110or\u0111e Bala\u0161evi\u0107, EKV, Dado Topi\u0107, Dino Dvornik, a njegove fotografije kori\u0161\u0107ene su i u dokumentarnom filmu \u201cIzgubljeno dugme\u201d o Ipetu Ivandi\u0107u u re\u017eiji Renata Tonkovi\u0107a, kao i u dokumentarnom filmu o Vladi Divljanu. Njegova arhiva broji preko 40.000 negativa \u010diji je samo jedan mali deo digitalizovan, a veoma je zna\u010dajan i njegov opus dokumentarne fotografije na kojima su zabele\u017eene mnoge istaknute li\u010dnosti iz sveta muzike, pozori\u0161ta, sporta, politike i javnog \u017eivota, od kojih mnogi nisu vi\u0161e me\u0111u \u017eivima.<\/p>\n\n\n\n<p>Danas Zoran Trbovi\u0107 \u017eivi i radi kao slobodni umetnik, fotograf.<\/p>","protected":false},"excerpt":{"rendered":"<p>Izlo\u017eba fotografija Zorana Trbovi\u0107a \u201cDrugi ritam\u201d bi\u0107e otvorena u \u010detvrtak 4. maja u 19 \u010dasova u SKCNS Fabrici. Ulaz za posetioce je besplatan, a postavka \u0107e mo\u0107i da se pogleda [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":4718,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[19,4],"tags":[62,30,32,61],"class_list":["post-4882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-likovni","category-vesti","tag-fotografija","tag-izlozba","tag-skcns-fabrika","tag-zoran-trbovic"],"_links":{"self":[{"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/posts\/4882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/comments?post=4882"}],"version-history":[{"count":1,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/posts\/4882\/revisions"}],"predecessor-version":[{"id":4959,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/posts\/4882\/revisions\/4959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/media\/4718"}],"wp:attachment":[{"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/media?parent=4882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/categories?post=4882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skcns.org\/sr_cyr\/wp-json\/wp\/v2\/tags?post=4882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}